© 2019 womeninfilmindustry.com

FILMS IN COMPETITION – PERCENTAGE OF FEMALE DIRECTORS:

FILMS IN COMPETITION – PERCENTAGE OF FEMALE DIRECTORS:

FILMS IN COMPETITION – PERCENTAGE OF FEMALE DIRECTORS:

FILMS IN COMPETITION – PERCENTAGE OF FEMALE DIRECTORS:

CANNES  FF 

82/1727

5%  

Films directed by women

Competition since 1946

(7 films signed by both genders)  

PULA  FF 

17/613

2,7%  

Films directed by women

Competition since 1954 (until 2001, only the list of award winners

(3 films signed by both genders – omnibus films)

RATIO OF FEMALE DIRECTORS AT CANNES, BERLIN, VENICE AND PULA FF IN THE LAST 39 YEARS:

PERCENTAGE OF FEMALE DIRECTORS AT CANNES, BERLIN, VENICE AND PULA FF IN THE LAST 39 YEARS:

CANNES

              

7%

BERLIN

             

11%

VENICE

           

11%

PULA

        

5%

AWARDS – FEMALE DIRECTORS'S PERCENTAGE:

CANNES  FF 2018.

GRAND PRIX : 3/75                 

4%  

DIARY FOR MY CHILDREN

Marta Meszaros, 1984.

 THE MORNING FOREST

 Naomi Kawase, 2007.

 THE WONDERS

 Alice Rohrwacher, 2014.

PALME D'OR BEST DIRECTOR:     : 1/41   

2,4%  

  THE BEGUILED

  Sofia Coppola, 2017.

PALME D'OR BEST SCREENWRITER:: 2/58     

3,4%  

LOOK AT ME

Agnes Jaoui, 2004. koscenaristica 

BEYOND THE HILLS

Tatiana Niculescu Bran, 2012. koscenaristica

HAPPY AS LAZZARO

Alice Rohrwacher, 2018.

PULA  FF

GRAND PRIX : 0/64      

0%  

GOLDEN ARENA BEST DIRECTOR:         1/66    

1,5%  

NE GLEDAJ MI U PIJA

Hana Jušić, 2017.

GOLDEN ARENA BEST SCREENWRITER: 5,5/45   

12,2%  

DEVETI KRUG

Zora Drinbach, 1960. 

NIZVODNO OD SUNCA 

Stanislava (Staša) Borisavljević, 1969.

KRHOTINA

Lada Kaštelan, 1992. koscenaristica

TRI MUŠKARCA MELITE ŽGANJER

Snježana Tribuson, 1998.

SONJA I BIK

Vlatka Vorkapić, 2012.

LADA KAMENSKI

Sara Hribar, 2018.

RATIO OF AWARDED FEMALE AND MALE DIRECTORS AT CANNES, BERLIN, VENICE AND PULA FF IN THE LAST 39 YEARS:

PERCENTAGE OF AWARDED FEMALE DIRECTORS AT CANNES, BERLIN, VENICE AND PULA FF IN THE LAST 39 YEARS:

GRAND PRIX *

 CANNES:   3/43                

7%

DIARY FOR MY CHILDREN

Marta Meszaros, 1984.

THE MORNING FOREST

Naomi Kawase, 2007.

THE WONDERS

Alice Rohrwacher, 2014.

 BERLIN:  4/42 

            

9,5%

THE AESTHENIC SYNDROME

Kira Muratova, 1990.

A SOAP

Pernille Fischer Christensen, 2006.

EVERYONE ELSE

Maren Ade, 2009.

MUG

Malgorzata Szumowska, 2018.

VENICE: 2/43

            

4,7%

AN ANGLE AT MY TABLE

Jane Campion, 1990.

THE KITE

Randa Chahal Sabag, 2003.

PULA: 0/33

            

0%

*Grand prix at Berlin is the second most important award 

GOLDEN ARENA:   1/37                

2,7%

NE GLEDAJ MI U PIJAT

Hana Jušić, 2017.

PALME D'OR:   1/96                

1%

THE PIANO

Jane Campion, 1993.

GOLDEN BEAR:   4/45                

8,8%

GRBAVICA

Jasmila Žbanić, 2006.

THE MILK OF SORROW

Claudia Losa, 2009.

ON BODY AND SOUL

Ildiko Enyedi, 2017.

TOUCH ME NOT

Adina Pintilie, 2018.

GOLDEN LION :   4/41                

9,7%

MARIANNE AND JULIANE

Margarethe von Trotta, 1981.

VAGABOND

Agnes Varda, 1985.

MONSOON WEDDING

Mira Nair, 2001.

SOMEWHERE

Sofia Coppola, 2010.

JURIES – PERCENTAGE OF FEMALE DIRECTORS:

CANNES  FF:   12/71                

17%

WOMEN PRESIDENTS OF THE JURY

 

PULA  FF:   36/417                

8,6%

WE DON'T HAVE INFORMATION ON PRESIDENTS OF THE JURIES FOR ALL YEARS, SO WE CALCULATED ONLY THE PERCENTAGE OF WOMEN 

RATIO OF FEMALE AND MALE JURY MEMBERS AT CANNES, BERLIN, VENICE AND PULA FF IN THE LAST 39 YEARS:

PERCENTAGE OF WOMEN DIRECTORS IN THE CROATIAN FILM DIRECTORS' GUILD

49/159

25,7%

 

Compiled by Katarina Zrinka Matijević 

Information about the festivals has been taken from the Euroimages website https://www.coe.int/en/web/eurimages/gender-equality-documents and from the official sites of the above mentioned festivals and from The role of women in the Cannes Festival's Competition - A comparative study